Leonard Bernstein - The Harvard Lectures

专辑介绍：

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Vol. I - Musical Phonology:Vol. I - Musical Phonology: First of All
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Perhaps the Principal Thing
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Let Me Start
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: From this Time
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But How do we Investigate
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now You Can See
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Universality is a Big Word
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Other Linguists
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: I Began by Imagining Myself
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Well, Then I Thought
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Let's Make a Simple Analogy
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Maybe Even a Divine One
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Where do these Notes Come from?
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: This Acoustical Phenomenon
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: All These Upper Notes
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: The First Overtone
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But More of that Later
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Let's Not Make the Mistake
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: And that's how the Tempered Clavichord
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now this is a Substantive Universal
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Let's be Careful
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: And there is Always that Blue Note
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Even these Twelve Tones
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: I Trust You Realize
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now, I Must Point Out
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventu
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Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: II. Andante
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Do you Realize
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age
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Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: I. Allegro molto
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: And All by Those Progressions
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Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: But First, What are These Principles
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Take the Passive Transformation
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Have Asked Myself
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: But Now Just Think of that Sentence
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Tranformational Grammar
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Why Am I Taking Your Time
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well Then
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Think it Follows
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now let's Go Back
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronom
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Am Sure I Don't Have to Trouble
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Here I Go
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Became so Fascinated
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well, it hasn't Brought us There
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Let's Take one Such Utterance
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Mozart's G Minor Symphony
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Good - Now Just as Three Notes are Linked Togethe
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Let's See
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Since this is not a Linguistics Class
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: What Does this Three-Note Design Mean
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: That Introductory Accompaniment
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: And Once Again, We Are Back
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Imagine
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now We Are Ready
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Our Job is
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: The Reason I Pick Symmetry
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now I Wanna Take You
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: All Right, Let's Try Another One
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: So, Let's Pull Up Our Socks
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now From Here On
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: By Far the Chief Transformational Principle
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: So What Your Ask
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: He Talks About this Sonnet
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Development Coming Up
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Listen to the Whole Exposition
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: But Now Let's Listen to
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: The Circle of Fifths Again
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: It Can And It Does
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: And That Was all One Single Sentence
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: And Again, as in the Poem
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Of Course, That Last Metaphorical Leap
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: The First Would Show Us One Meaning
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: We All Recognize Antithesis
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: The Other Day
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: So All these Syntactic Transformations of the Sam
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: A Linguist Would Say
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: We Will Never Know
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Think of this Famous Passage
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Does This Stravinskian Game Concept
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: That's One of the Questions
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Let's Begin at the Beginning
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Fact, When You Think of the Number
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: There Are Three Specific Ways
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: All Right, First Let's Look Briefly
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: We Can Expand the Idea
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now, If We Accept This General Idea
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: The Metaphor Arises
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Well, That's the Beginning
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Our Last Lecture
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But What of the More Obvious Melodic Mate
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Well, I Replied, Chomsky Would Say
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Terrific, Said My Blonde Inquisitor
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: This Interference of the Two Frequencies
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Onl
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: What Do You Suppose
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Whe
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But to Develop How
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But That's Not the Main Event
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: It Is To Be Found
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Wha
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Even if You Can Succeed
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Sim
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now We Have an Insight
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Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwach
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Eno
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Playing, That's the Word
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But in the Ensuing Four Bars
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Is
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Whe
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Foo
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now That's One Way of Looking
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Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The
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Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lust
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Let
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: What' Seriously Striking
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Lis
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Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: So Why the Pastorale on this Lecture
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Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirten
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Par
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: You
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: And Here We Are in Trouble
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Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Réunion
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Tha
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Wait
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Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewit
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Sugg
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Thi
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: These Troubling Present
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Let's Put it Another Wa
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Our Lecture Tonight
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Lit
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Trouble is, That the Ne
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: I that Luminous Final T
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: It'
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: If You Really Have Been
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But 1908, if the Truth
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: First of All, Berg Chos
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course What he is Really Talking Abo
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Of Course, There Are Lo
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: I Have Recently Been Re
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Of Course, There Are Th
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: For
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: So, now in 1908
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: And What About Beethove
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, These Asymmetries
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Lis
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Som
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Son of Tristan
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Now Let's Jump Ahead
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What a Way to Enter the
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What Exactly Was This N
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: So, All in All
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now Can You Understand
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Twentieth Century
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto:
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Bot
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: These Are Two Sets
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now That Page of Music
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And While You Are in That Record Shop
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Know What Your Are Thinking
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now, Remember
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Let
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: In Any Case
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It Comes at a Point
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: These Are Some of the P
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Musicologists Are Always Pointing
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Think This Is Again a Moment
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Unanswered Question
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But the Most Striking Semantic Effect
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Even in the Most
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: You Can See How the Transformation
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It Seems Somehow Inevit
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And This Is the Essence
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Why Have I Digressed
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Untermeyer Called This
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Now You Look at Those F
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But This Neoclassic Approach
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Brutal It May Be
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: This Is Atonality
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Fantastic
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Am Plaguing You With this Question
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What Do You Do If You K
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Kind of Tonal Feeli
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: If This Poem Were Rewritten
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Prélude à l'après-midi d'un faune, L. 86 (Remastered)
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: We Are Going to Hear
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But the Thing of It All Is
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Symphony No. 9 in D Major: IV. Adagio. Sehr langsam und noch zurückhaltend
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Even Some Germans
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But It Was Precisely
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: What About This
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: In Fact, It Was Satie, Picasso, and Coc
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, Polytonality Can And Does
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But For All These Reaso
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, With the Waste Land
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: This Union Is Possible Only Because
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: This is Mahler
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: As You Listen to This F
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But This Eclecticism Knows No Bounds
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now What's Going On
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Stravinsky's Own Aesthetic Pronouncemen
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Bitonality Does Not Only Serve
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: If This Particularly De
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: It's the Essence
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: This New Aesthetic Relaxation
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But What Has All This to Do With Stravi
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And Then Mozart Appears
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Our Scene
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Chilling, Shattering, Neoclassic
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now All This I Had Planned to Tell You
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And Now We Are Finally Ready
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: So, It Would Seem
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Just Cast An Eye
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Chomsky Himself Gives a Classic Example
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: We Have Already Referre
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now I propose Only Because
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Look: Here Is a Joke
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: One Has Only Learnt to Get
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Of Course He Was Forced
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But While Restudying th
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Very Important, the Ironic Element
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Rhapsodie espagnole, M.
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: For Our Purposes
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: The Dispute of the Princess Attracts the At
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: What Interests Me About It
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II "Adest omniscius pastor"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ecce! Regem Oedipoda"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Divum locastae caput mortuum!"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: It Was At This Point That I Wrote
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Nonne monstru rescituri"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Nonn'erubescite, reges"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Is it Possible
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Dicere non possum"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: It's As Tough in the Period
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Gloria!"
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Why This Particular Misalliance
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Va-le-di-co
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: You Think That's Funny
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: During that Decade
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version o
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ego senem cecici"
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Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: My Words Are Poor
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: How About That
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Bec
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: It'
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: For
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Last Week
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ne Probentur Oracula"
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: For Instance, in this Same First Movement
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Most People Hearing Mozart's Opening
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Liberi vos liberabo"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: A Charming Idea
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Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Then Came the Answer
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: And if You are Still not Convinced
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Pre
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: But What Are We to Say
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Respondit Deus"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Caedit nos pestis"
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous M
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: These Ambiguities
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It's Very Strange, How
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Eve
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: My
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: You See, One of the Great Failings
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: And I Believe
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Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto
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Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: 1. Romé
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Because Now it's Time
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: And Again Comes a Great Leap
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Vol. III - Musical Semantics:Vol. III - Musical Semantics: At This Point
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Poe
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Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: In
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Is There Possibly the B
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Amen, says Noam Chomsky
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now
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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It's as Though a New Co
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: Every Once in a While
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Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Suppose What Chomsky is Really After
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Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now this Means
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Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Qui
Leonard Bernstein

Leonard Bernstein更多专辑

Grandes Marches
发布：2038-01-19
Mahler: Das Lied von der Erde / Bernstein, Vienna Philharmonic Orchestra
发布：2038-01-19
Beethoven: Symphonies Nos. 6 & 8
发布：2038-01-19
Bernstein Conducts Bernstein: Kaddish & Chichester Psalms
发布：2038-01-19
Bernstein: The Age of Anxiety & Serenade after Plato's "Symposium"
发布：2038-01-19
Copland: The Second Hurricane & In the Beginning
发布：2038-01-19
Mahler: Symphony No. 7
发布：2038-01-19
Dvorák: Symphony No. 7 and other works
发布：2038-01-19
American Masters
发布：2038-01-19
Symphonie Fantastique
发布：2038-01-19
Brahms: Symphony No. 1; Serende No. 2
发布：2038-01-19
Beethoven: Symphony No.9
发布：2038-01-19
Vivaldi: The Four Seasons, Concertos
发布：2038-01-19
Mahler: Symphony No. 6
发布：2038-01-19

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Leonard Bernstein - The Harvard Lectures

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