Beatles Press Conference: Vancouver & Seattle - 1964 & 1966
RED:Hi,my name is Red Robinson
Since 1954,I've been at the center of rock n' roll
I was there when rock was born
Rock n' roll went to a soft period in the early sixties
The British never stop rocking
And then was reborn
and by the mid-sixties invade the North America with a solid sound of rock n' roll
and have been last for number of years
And we now refer to those years as the”British invasion”
It was spirit-headed by the Beatles
who give rock n' roll a new breath of life
The fifties launched the new sound
and the sixties enhanced it60
The Beatles's music took the sound into a new height of appreciation
adding millions of new fans along the way
In 1964,Beatlemania swiped North America and the world
It was the birth of the mercy sound
It was only a matter of time before the chief proponent of British rock would take the music on tour
The first Beatles tour of North America took place in 1964
The circuit included the Pacific Northwest and the city of Vancouver
It was entirely inproperate that the Beatles should make an appearance in Vancouver
Where that city had welcomed the king of rock n' roll Elvis Presley in 1957
More than twenty thousand fans assembled at the Empire stadium on Saturday,August 22nd
Eight-nine newsmen crowded into a room designed for forty
including the travelling Beatles expert from the Liverpool Echo and the London Daily Mirror
And the tennis-match press conference began with the Beatles winning the match
GEORGE: Cuz the pilot didn't have a little stamp on his bit of paper
JOHN:We got here and had to go back
PAUL:There was one little thing missing on the paper
Q:That happened while you were in the air over Vancouver
GEORGE: We were almost here
and he turned 'round went back
got a little thing stamped on his passport, and then
JOHN: And we had more chicken sandwiches
GEORGE: And then we came again
And then the police took us for a forty minute tour of the of the city
JOHN: Because they weren't ready here
PAUL: There was something not ready, you know
GEORGE: Apart from that we were on time
Q: How did you like it
JOHN: Very good Only we were starving, you know
Q: On a percentage basis these days
what are you taking out of America compared with Britain, in earning power
_Money Money
JOHN: I haven't a clue
Q: Money, I'm aware
PAUL: Definitely No we don't know how much, you know Really
JOHN: Do you get more in America
PAUL: You won't believe us, but
JOHN: I figure we get more here, 'cuz it's so far away from home
PAUL: The only reason
Q: There's a rumor you own a bank in England Is that correct
PAUL AND GEORGE: No
JOHN: No, we just borrow it now and then
Q: What's your deal with
PAUL: John John
JOHN: What
_Just gettin' it clear, John
JOHN: Oh
PAUL: John
Q: What is your deal with EMI which, of course, is Capitol Records
PAUL: Yeah
Q: Is it a long-term contract, and if so, how long
PAUL: No, it actually, I think it expires next year
JOHN: I think it expires next year or something like that
GEORGE: It expires any year now
Q: Will you remain with them
JOHN: Depends what they say
GEORGE: Who knows
Q: Oh, you'll buy them
Q: What are your plans for movies
PAUL: We've got to do a new one in February Februar-ar-ary
There aren't we haven't made any plans for it as yet We talked to the director
Q: No plans
PAUL: No, nothing
GEORGE: No title, no script
RINGO: No script-- No actors
Q: Are you gonna do any more (vocal) solos, Ringo, on any future records
RINGO: Umm I suppose so, you know
Q: When are you going to retire, fellas
RINGO: About ten minutes
Q: In a past interview
you once said that you didn't mind being in the spotlight twenty-four hours a day
Isn't there the odd time that you do enjoy doing common things, and just having it all to yourself
JOHN: When we're asleep
Q: When is that
JOHN: I don't know
RINGO: Next Thursday
PAUL: Very busy
Q: Are you going to immigrate to the States, fellas
BEATLES: No
Q: Why
GEORGE: 'Cuz we like England
Q: Who are your favourite recording artists
_Uh, Little Richard's one
_Marvin Gaye, Mary Wells, The Exciters
_Jackie DeShannon
_The Miracles
_Derek Taylor
_Chuck Jackson
Q: When you people were initially starting did The Crickets have any influence in your sound at all
_When they were with Buddy Holly, yeah
_Marian Williams
Q: How about the name, did that have any influence
The Crickets and The Beatles
JOHN: Can't remember, it could've You know, it's so long ago
Q: What's the most unusual request you've ever had from a fan
JOHN: Well, I wouldn't like to say, really!
Q: Are you fellas identified with either the mods or the rockers
JOHN: Uh well, the rockers think we're mods
and then the mods think we're rockers, I think
Q: Do you enjoy beating off girls
JOHN: We don't do it, the police do it
Q: Do you feel safe riding in an airplane
JOHN: Not really As safe as you can be in an airplane, I suppose
Q: Are you going to write another book, John
JOHN: Uhh well, yes
Q: When is it coming out
JOHN: I don't know I can't seem to be able to
Q: What are you going to call it
JOHN: I don't know that either
Q: Does every city look the same
JOHN: No Some have trees, some don't
Q: What are your plans for the next ten years
JOHN:What are your plans, son
RINGO:Can you speak up, please!
RINGO: I haven't planned anything I just keep going, you know
see what happens It's more fun
_Ringo, are you engaged to Maureen Cox
RINGO: No!
Q: Are you going to be
RINGO: No! Anything else
Q: Do you think overexposure with movies and too many record releases perhaps could damage your career at all
JOHN: We don't release any more records than anybody else, it just so happens
RINGO: We've only made one movie
JOHN: they make everything we make into a single over here
PAUL: In fact, we we
JOHN: We've made three albums
PAUL: sorry
_Tell him sorry, Paul
GEORGE: In England, we made three albums!
GEORGE: And they've got seven out over here, or about seven
RINGO: So work that out for yourselves
JOHN: They just make 'em up
PAUL: In fact, we've made less records than most people So there We've only made
I think we've only ever made seven singles
and it seems to me like thousands, you know
Q: Over here, we get one every day
PAUL: Over here, yeah
RINGO: Lucky
PAUL: Well, we only made seven, you know
Q: I notice none of you smoke, do you have any drinking habits
BEATLES: We do smoke
Q: You do
JOHN: What's this
Q: Ahh, right
JOHN: It's not peanuts, you know! Ha ha ha!
PAUL: We drink Drink, too
RED:One of the press representatives asks at this point
How many of the quartet are the original Beatles
JOHN: The three of us
PAUL: Ringo
Q: Who was the boy that was ahead of
_A fella called Pete Best
RINGO: I'm the one that died
Q: Why did he quit
JOHN: We threw him out
PAUL: He really was It's one of those things, you know
Recording manager said he wasn't
Q: How long does your show last
JOHN: Thirty minutes
Q: Thirty minutes
PAUL: Just a bit over thirty, yeah
Q: What's worse facing the kids or a mob like this
JOHN: Mmmmmmmm
PAUL: No, it's We enjoy it, you know This, even
RINGO: Even
PAUL: Even this!
Q: Do you feel responsible for making Britannia rule the airwaves
JOHN: No
PAUL: Ooh Ohh You worked that one out, didn't you
Q: What is the best city you've ever played
JOHN: I don't know
RINGO: It's impossible, you know
PAUL: Actually, one of the wildest audiences was, I think, Glasgow
RINGO: Glasgow, Scotland
RED:Here our reporter asked Paul if he brought along his dad
PAUL: No Well, actually my dad's having a better time than I am He's got a
he's got a house, a race horse He's just been for a week in Athens I wish I was him
Q: How much time-off do you get in a year
PAUL: About
JOHN: We get good enough holidays, when we get 'em
RINGO: Couple of months
PAUL: Three or four weeks a year
Q: How can you enjoy them, when I hear that in Hawaii you had to leave after just a few days
JOHN: We weren't going to Hawaii, we were just passing through, you see
GEORGE: We only stayed there the night on the way to Tahiti
Q: Did you like it
PAUL: Yeah
JOHN: What Hawaii
Q: Yeah, Hawaii
JOHN: It was alright
GEORGE: But only staying there the night on the way to Tahiti
PAUL: Say it again, George
GEORGE: He's got it
Q: Have any of the political parties in England tried to carry favor with you and use you for their own benefit
JOHN: No They all give us a mention just in case
GEORGE: We had our pictures taken with Bessie Braddock and Harold Wilson, though
PAUL: Yeah, but we don't know enough about politics to support one or the other, you know
Q: You're all Torries, is that correct
RINGO: We're nothing
PAUL: Not really
JOHN: Whoever gives us the most money, you know We vote for them
RED:One of the most fascinating questions in this conference was the number of people employed by Beatles at that time
Q: How many people do the Beatles employ, as a group The organization, The Beatles, Limited
PAUL: Oh, us I don't know, you see, because much of the people that work with us
GEORGE: I think 'we' only employ about two people
PAUL: Most of the people that work with us work for 'NEMS,' which is our manager's company
GEORGE: We employ two, and that's it
PAUL: And they have artists like Gerry and the Pacemakers, Cilla Black, and alot of other people, you know Billy J Kramer
JOHN: We have two permanently with us One press agent and one road manager Oh no, and a heavy
PAUL: There he is This one-- with the mic
Q: You do carry a bodyguard, then
BEATLES: No
JOHN: You don't need to with all those police!
Q: Do you find that you're losing your popularity in England
JOHN: No, not according to record sales
Q: Then it's all just rumors
PAUL: Yeah Actually, we heard before
JOHN: They've been knocking us off since the third record
PAUL: before we went to Liverpool last time
for the Northern Premiere of the film, you know
we'd been down in London alot
because we'd been doing the film and TV and things
and everybody was saying
I've just been up to Liverpool
and they hate you up there
and it's terrible Nobody likes you anymore
And we believed 'em, you know, 'cuz we read the paper, same as anyone else
And we went up there
and it was the most ridiculous reception we've had anywhere, you know
So I give-in believing these rumors
Q: Can I ask you if you've ever had a press reception in a more uncomfortable room
JOHN: Yeah
PAUL: I don't know
Q: Where
JOHN: I don't know
Q: How do you feel being compared to Dave Clark Five
JOHN: We're compared to everybody
PAUL: Don't mind
Q: How about your horse, how's it doing your race horse
PAUL: Great! The first time out It's not mine, it's my dad's
you know It's nothing to do with me First time out it came second, and the last time out it won
JOHN: And then it died
Q: Does this mob of police protection come out of your take
or is the management here to accept responsibility for paying them
JOHN: I don't know who pays 'em, but we don't
PAUL: The last place we played at, it was the management of the place I don't know, it may be the same now
GEORGE: But we just tour, we don't do all that
Q: You'd miss them, though
PAUL: Oh, yeah
RINGO: Really
JOHN: Yeah Well I mean, if we can't get in a place, we can't go, can we It's the promoter's money
Q: How long will you be on the road before you go home
PAUL: About four more weeks
Q: What is the best group of teenagers, well-behaved, you've ever had
PAUL: Um I don't know They're about the same all over the world Just got different accents
Q: What city have you had your worst time in
PAUL: City,Don't know, because
you know things that some people think are the worst time, we think are the best
you know But I can't remember a worst time
Q: You've been roughed-up and jostled in various places you've been
Can you think of one in particular that was worse than the others
PAUL: No, you know Not
JOHN: We've not been really roughed at all, you know
Q: Where do you think the biggest reception crowd has been
JOHN: Biggest crowd was Liverpool
RINGO: Liverpool
Q: How many
JOHN: I don't know
GEORGE: A lot
JOHN: Just more than the other
Q: Sydney was the biggest, wasn't it
PAUL: Sydney
JOHN: Ah, well
PAUL: I don't know, but there was alot in Liverpool
Q: How long did it take you to make your movie
JOHN: Eight weeks, was it
PAUL: Yes
JOHN: They were trying to make it in three, but we argued
Q: Do you like the movie
PAUL: It's good, you know
Q: How's it doing where it's showing, do you know
RINGO: It's doing well
JOHN: It's breaking records, I've heard I don't want to brag
Q: Is it true that some of your birthday mail went in the fire and you didn't even see it
GEORGE: No, untrue Well, I think so Actually, it was, umm
PAUL: I don't think that was the rumor anyway, you know
JOHN: The rumor was it went in the bin By the time it gets over here, it's on fire
PAUL: Some people found some mails and I think it was about two letters out of thousands
you know which had been unopened They'd been sent to the fan clubs
and the fan club was supposed to open and read 'em
and then throw 'em And there were about two that they'd forgotten to open
so this was a great big scandal, you know It was just a slip-up
Q:Thank you very much!
JOHN:Than you!
RED:We joined the Beatles two years later in 1966 in Seattle,Washington,the date is August 27th
Another city,and another press conference,it’s 8 pm
Fifteen thousand fans are vailing for the night performance in the Seattle Colosseum
Meanwhile the presses again talking with Beatles
Leading up to B-Day,rumours had abounded that Paul Cartney is going to marry long-time girlfriend Jane Asher,
Sister of Peter Asher of Peter&Gordon fame,but it turned out to be just that rumours
MC: Can we have the first question, please
Q: John, could you please tell me something about your new movie, 'How I Won The War
JOHN: Oh, I don't know anything about it except for I'm in it
and it's about the last world war
Q: I'd like to address a question to Paul McCartney
Would you confirm or deny the report of your marriage to Jane Asher in Seattle this evening
PAUL: It's tonight, yeah
Q: What time and where
PAUL: Tonight-- I can't tell you that, now can I
PAUL: I couldn't tell ya it's a secret
GEORGE: OK, it's a secret We don't want all the people there, do we
Q: You are confirming the report
PAUL: No, not really It was it's a joke
Who started this Anyone know Does anyone know I just got in today and found out I was getting married tonight
No, she is not coming in tonight as far as I know
GEORGE: And if she does, we are going out tonight anyway cause we'll miss her
Q: I'd like to direct this to any of the Beatles Do you believe that you represent a different type of morality
or a new type of morality-- than, say, the 'Rolling Stones' or the protest groups
JOHN: Are they a protest group Since when
Q: No 'OR a protest group
PAUL: OR a protest group! No We don't represent anything like that
It's the 'Cyrkle' that do that
_'Turn Down Day' I think you've heard that one, haven't you! Folk song!
Q: I'd like to ask John Lennon a question
I hope I get a chance to ask him a second one This is sort of double-barreled I'd like to know your motivation in this Money I'd like to think it's enjoyment
and I'd like to think you're having as much fun as you seem to be when you're doing it
JOHN: Well, when I look as though I'm having fun
I am, you know When I'm not-- I'm not, usually So it varies
Q: Do I get another chance One more chance I have this little prediction that in 25 years you're going to be a great writer
I'd like to talk to you about it sometime
_Well, I mean, we're between 25 years then
Q: I'll make you a date
JOHN: OK
GEORGE: See ya, Penny Lane
Q: I'd like to address this question to anybody in the group
What about the next movie
heard alot of stories
nothing's confirmed Has there been anything decided
PAUL: Nothing
GEORGE: Somebody gave us a good idea
so we told him to go and write it into a script
So we won't really be able to tell if we're gonna make the film until we've read the script
And as he hasn't finished the script, we haven't read the script
so we won't know yet until about Christmas
maybe But if it is a good one and we like it
we'll probably start it 'round about January, February, or March or December
Q: I have three questions, if I can For one
Do you think the audience that your music attracts has changed from say the thirteen and fourteen year old girls to more of the college age
and that if so, do you like it better that way
PAUL: Uhh, I think it's probably got a bit older I don't know how old And it's nice
and that if so, do you like it better that way
Q: Did you intend it that way
PAUL: No We don't intend anything, you know That's the trouble
JOHN: It all happens
_Also, Paul-- Since your rumors were denied
then what are you doing after the show
PAUL: I don't know, marrying you, probably!
Q: How are the attendance on this tour compared to past American tours
PAUL: It's been apparently been more at the shows than there were last time
Q: Do you think that the so-called adverse publicity hurt or helped in this
PAUL: No idea, you know We haven't been able to tell really because we You know the press keeps saying
'I see it's hurt you' And our managers keep saying it hasn't So, you know, who do we believe
Q: John and Paul, I'd like to know if all the songs that are said to be written by Lennon and McCartney are always written by both of you
or do you ever do one all by yourself
JOHN:Don't they buy 'Datebook
PAUL: No, we do them seperately and together
Q: Your music used to be mostly composed of guitar backgrounds
and recently you've come around to strings and harpsichords and a lot of weird things like that Is there any purpose in this evolution
PAUL: Yeah
JOHN: No
GEORGE: Just to use something else besides guitars
PAUL: And because those things aren't it's not necessarily sort of 'coming around to them' you know,
like we're giving-in to 'em It's finding them again
RED:As the director of radio station CFUN in Vancouver
I had decide let where my DJs to cover this 1966 press conference in label Seattle
I selected a giant of a man called John Turner
Who stood 6 foot
And then some in this stocking feet
And during those top forty CFUN days
We referred to him on the era of Jolly John
And for this particular press conference
He dressed his tall frame in a Jolly green giant costume
Complete with Robin Hood booties
How imagine you will
The Beatles reaction to this strange,blooming figure
Q:I don't know if there is a Jolly Green Giant in England, fellows
but I come with good wishes from Vancouver in Canada
You played there a short while ago
And we were wondering whether you are coming back to Vancouver
PAUL: Maybe Brian decides where we go So, maybe
Q:All people from Vancouver are wishing John a happy forth anniversary
A few days ago,John
JOHN: Thank you Well, you thank them Jolly Green Giant
Q: and a question George, where do you get your sitars
GEORGE: Where do I get them Or where do people generally get them
Q: Where can people generally get a sitar
GEORGE: India
Q:In India
Q:I hear that you are world’s greatest sitar player
Q: Paul, before, you said that there were some songs that you 'have to' write
Could you explain what you mean by 'have to' write
PAUL: Hmmm No see, I just said that in passing I just meant that there was an LP due And when an LP is due we write songs
you know We do it like that more than write all the time,We don't write all the time
We write more 'to order' You know
if we've got fourteen tracks to fill
then we've got fourteen songs to write That's what I mean
Seattle,Washington,1966
That night,the Beatles went out to the with fifteen thousand frantic fans
These were the really innocent years for the Beatles
They were just about to lead into a new face of their careers
The late 60s were used as the revolution in term
And the Beatles were certainly in the guard of the new wave
Some would say that the new demensions that they’ve added to the popular music
Were the most important contributions to musical history
But apart from those earlier years
The fun and the energy
Those were the moments
That would be remembered for the generation that lived through those times
On this album package
We tried to present the best of the Beatles
The stories of the Beatles is best told by hearing them in action
The Marks Bothers were unique
And so were the Beatles
They give you the frantic feeling and friendly of a Beatles concert
During those healthy days of the mid-sixties
We’d like you to hear the Beatles on stage
In front of over twenty-thousand fans
Now twice during the concert
The quartet of mob-tops were interrupted
once by myself
And minutes later by thier manager Brian Abeles
As the screaming fans pressed against the front of the open-air stage of Empire Stadium
Police were frightened that the fans would get crashed
As it happened in so many soccer matches in England
And else where in Europe
You’ll mind what the audience feel of the Beatles in concert
MC:Crowd can you be quiet just for a minute please
I would like to say right now that you’ve been a small crowd here tonight so lets keep up the good work
And it’s going to be a great deal of pleasure having the CNN and the CFUN to present
The Beatles!
Thank you
Thank you very much everybody
Thanks
And good evening
How are you
Okay
Alright
We’d like to come around
To the song
Which was on the first album that we’ve made
Hope you like the song
It’s called Oh!My loving
Thank you folks
The next song we’re gonna do
It’s another whole LP
And it’s called She loves you
Lets cut it down
Now,it’s a quite a new song
I think it’s on the new album over here
It’s called The things you said today
Thank you very much everybody
Thank you
We’d like to
I hate to
Like we’re gotta back some of the people up
There have been two kids crashed already
Or we have to cancel the show
All that,down
Everybody down
Or no show
The Beatles wanna perform
But they can’t do it if you don’t sit down
Let’s sit down,they wanna perform,com’on
We’d like to ask you dude help us
With our next song
Hello
We’d like to ask you
If you’ll join in
Will you with us next one
Okay alright listen
Stand easy
All you have to do is clap your hands
Or stamp you feet
Something like that
Do everything you like
The song’s called Can’t buy me,love
Thank you folks
Before we do the next song
I’m gonna hang down a minute while John changes his guitar
And the song we’re going to do next
Is a slow song from the film we’ve just made,All days nights
And it’s from the new album we’ve just made
And it’s called,If I fell
Thank you very much folks indeed,thank you
We’d like now
To do something,do something yeah
We’d like to do something that we don’t often got
Much of a chance to do
We’d like to feature some of you
Who doesn’t sing very often but is gonna sing now
Yes,sing a song called By swingo
Next song we’re going to do is from our latest record
Is the title song for the film called
Half day night叫Half day night
Join me later ladies and gentleman
The Beatles had come a long way
With us
with me
To do this show
And will have to cut this show unless you move back
I’m very worry about this situation
Back
Back back
Thank you very much everybody
We’d like to thank you now
For coming along tonight and being a marvelous audience
Thank you
Beatles Press Conference: Vancouver & Seattle - 1964 & 1966LRC歌词
[00:00.56]RED:Hi,my name is Red Robinson
[00:02.36]Since 1954,I've been at the center of rock n' roll
[00:05.69]I was there when rock was born
[00:07.51]Rock n' roll went to a soft period in the early sixties
[00:11.94]The British never stop rocking
[00:12.03]And then was reborn
[00:13.51]and by the mid-sixties invade the North America with a solid sound of rock n' roll
[00:18.25]and have been last for number of years
[00:20.34]And we now refer to those years as the”British invasion”
[00:23.99]It was spirit-headed by the Beatles
[00:25.18]who give rock n' roll a new breath of life
[00:27.54]The fifties launched the new sound
[00:29.83]and the sixties enhanced it60
[00:31.70]The Beatles's music took the sound into a new height of appreciation
[00:34.91]adding millions of new fans along the way
[00:38.14]In 1964,Beatlemania swiped North America and the world
[00:42.76]It was the birth of the mercy sound
[00:45.47]It was only a matter of time before the chief proponent of British rock would take the music on tour
[00:50.53]The first Beatles tour of North America took place in 1964
[00:54.66]The circuit included the Pacific Northwest and the city of Vancouver
[00:58.88]It was entirely inproperate that the Beatles should make an appearance in Vancouver
[01:02.83]Where that city had welcomed the king of rock n' roll Elvis Presley in 1957
[01:07.75]More than twenty thousand fans assembled at the Empire stadium on Saturday,August 22nd
[01:13.60]Eight-nine newsmen crowded into a room designed for forty
[01:17.37]including the travelling Beatles expert from the Liverpool Echo and the London Daily Mirror
[01:22.55]And the tennis-match press conference began with the Beatles winning the match
[01:28.24]GEORGE: Cuz the pilot didn't have a little stamp on his bit of paper
[01:31.51]JOHN:We got here and had to go back
[01:33.35]PAUL:There was one little thing missing on the paper
[01:35.33]Q:That happened while you were in the air over Vancouver
[01:36.57]GEORGE: We were almost here
[01:37.46]and he turned 'round went back
[01:39.05]got a little thing stamped on his passport, and then
[01:41.75]JOHN: And we had more chicken sandwiches
[01:43.31]GEORGE: And then we came again
[01:44.86]And then the police took us for a forty minute tour of the of the city
[01:49.05]JOHN: Because they weren't ready here
[01:50.11]PAUL: There was something not ready, you know
[01:51.63]GEORGE: Apart from that we were on time
[01:53.42]Q: How did you like it
[01:54.28]JOHN: Very good Only we were starving, you know
[01:57.22]Q: On a percentage basis these days
[01:58.30]what are you taking out of America compared with Britain, in earning power
[02:01.74]_Money Money
[02:02.98]JOHN: I haven't a clue
[02:03.52]Q: Money, I'm aware
[02:04.50]PAUL: Definitely No we don't know how much, you know Really
[02:05.76]JOHN: Do you get more in America
[02:09.35]PAUL: You won't believe us, but
[02:10.80]JOHN: I figure we get more here, 'cuz it's so far away from home
[02:13.52]PAUL: The only reason
[02:15.61]Q: There's a rumor you own a bank in England Is that correct
[02:17.31]PAUL AND GEORGE: No
[02:17.93]JOHN: No, we just borrow it now and then
[02:21.39]Q: What's your deal with
[02:22.47]PAUL: John John
[02:23.63]JOHN: What
[02:24.62]_Just gettin' it clear, John
[02:25.57]JOHN: Oh
[02:26.33]PAUL: John
[02:26.91]Q: What is your deal with EMI which, of course, is Capitol Records
[02:29.32]PAUL: Yeah
[02:30.16]Q: Is it a long-term contract, and if so, how long
[02:31.65]PAUL: No, it actually, I think it expires next year
[02:33.53]JOHN: I think it expires next year or something like that
[02:35.17]GEORGE: It expires any year now
[02:36.58]Q: Will you remain with them
[02:37.63]JOHN: Depends what they say
[02:38.64]GEORGE: Who knows
[02:39.18]Q: Oh, you'll buy them
[02:40.92]Q: What are your plans for movies
[02:42.76]PAUL: We've got to do a new one in February Februar-ar-ary
[02:48.49]There aren't we haven't made any plans for it as yet We talked to the director
[02:53.15]Q: No plans
[02:54.01]PAUL: No, nothing
[02:54.91]GEORGE: No title, no script
[02:56.31]RINGO: No script-- No actors
[02:57.27]Q: Are you gonna do any more (vocal) solos, Ringo, on any future records
[03:01.14]RINGO: Umm I suppose so, you know
[03:04.72]Q: When are you going to retire, fellas
[03:08.10]RINGO: About ten minutes
[03:11.11]Q: In a past interview
[03:12.11]you once said that you didn't mind being in the spotlight twenty-four hours a day
[03:16.94]Isn't there the odd time that you do enjoy doing common things, and just having it all to yourself
[03:21.97]JOHN: When we're asleep
[03:25.10]Q: When is that
[03:25.89]JOHN: I don't know
[03:28.52]RINGO: Next Thursday
[03:29.02]PAUL: Very busy
[03:29.78]Q: Are you going to immigrate to the States, fellas
[03:30.43]BEATLES: No
[03:31.09]Q: Why
[03:31.85]GEORGE: 'Cuz we like England
[03:33.90]Q: Who are your favourite recording artists
[03:35.77]_Uh, Little Richard's one
[03:38.26]_Marvin Gaye, Mary Wells, The Exciters
[03:44.42]_Jackie DeShannon
[03:45.26]_The Miracles
[03:46.88]_Derek Taylor
[03:48.84]_Chuck Jackson
[03:49.54]Q: When you people were initially starting did The Crickets have any influence in your sound at all
[03:51.96]_When they were with Buddy Holly, yeah
[03:53.55]_Marian Williams
[03:56.27]Q: How about the name, did that have any influence
[03:58.04]The Crickets and The Beatles
[03:59.30]JOHN: Can't remember, it could've You know, it's so long ago
[04:06.47]Q: What's the most unusual request you've ever had from a fan
[04:09.08]JOHN: Well, I wouldn't like to say, really!
[04:13.61]Q: Are you fellas identified with either the mods or the rockers
[04:19.08]JOHN: Uh well, the rockers think we're mods
[04:20.52]and then the mods think we're rockers, I think
[04:23.22]Q: Do you enjoy beating off girls
[04:24.59]JOHN: We don't do it, the police do it
[04:27.37]Q: Do you feel safe riding in an airplane
[04:29.49]JOHN: Not really As safe as you can be in an airplane, I suppose
[04:33.52]Q: Are you going to write another book, John
[04:35.04]JOHN: Uhh well, yes
[04:36.46]Q: When is it coming out
[04:37.57]JOHN: I don't know I can't seem to be able to
[04:38.72]Q: What are you going to call it
[04:39.94]JOHN: I don't know that either
[04:41.95]Q: Does every city look the same
[04:43.71]JOHN: No Some have trees, some don't
[04:45.63]Q: What are your plans for the next ten years
[04:48.47]JOHN:What are your plans, son
[04:50.31]RINGO:Can you speak up, please!
[04:53.28]RINGO: I haven't planned anything I just keep going, you know
[04:55.09]see what happens It's more fun
[04:58.05]_Ringo, are you engaged to Maureen Cox
[04:59.92]RINGO: No!
[05:00.47]Q: Are you going to be
[05:01.03]RINGO: No! Anything else
[05:04.92]Q: Do you think overexposure with movies and too many record releases perhaps could damage your career at all
[05:10.20]JOHN: We don't release any more records than anybody else, it just so happens
[05:13.08]RINGO: We've only made one movie
[05:14.24]JOHN: they make everything we make into a single over here
[05:16.47]PAUL: In fact, we we
[05:17.20]JOHN: We've made three albums
[05:18.46]PAUL: sorry
[05:18.93]_Tell him sorry, Paul
[05:22.10]GEORGE: In England, we made three albums!
[05:29.49]GEORGE: And they've got seven out over here, or about seven
[05:32.14]RINGO: So work that out for yourselves
[05:33.74]JOHN: They just make 'em up
[05:34.51]PAUL: In fact, we've made less records than most people So there We've only made
[05:39.58]I think we've only ever made seven singles
[05:42.91]and it seems to me like thousands, you know
[05:45.47]Q: Over here, we get one every day
[05:46.24]PAUL: Over here, yeah
[05:47.12]RINGO: Lucky
[05:48.15]PAUL: Well, we only made seven, you know
[05:49.58]Q: I notice none of you smoke, do you have any drinking habits
[05:51.45]BEATLES: We do smoke
[05:52.29]Q: You do
[05:52.89]JOHN: What's this
[05:53.58]Q: Ahh, right
[05:54.56]JOHN: It's not peanuts, you know! Ha ha ha!
[05:55.83]PAUL: We drink Drink, too
[05:57.70]RED:One of the press representatives asks at this point
[06:00.45]How many of the quartet are the original Beatles
[06:03.05]JOHN: The three of us
[06:04.86]PAUL: Ringo
[06:05.55]Q: Who was the boy that was ahead of
[06:07.24]_A fella called Pete Best
[06:08.04]RINGO: I'm the one that died
[06:08.62]Q: Why did he quit
[06:14.92]JOHN: We threw him out
[06:15.94]PAUL: He really was It's one of those things, you know
[06:17.73]Recording manager said he wasn't
[06:18.81]Q: How long does your show last
[06:19.08]JOHN: Thirty minutes
[06:19.93]Q: Thirty minutes
[06:22.38]PAUL: Just a bit over thirty, yeah
[06:24.39]Q: What's worse facing the kids or a mob like this
[06:27.02]JOHN: Mmmmmmmm
[06:29.75]PAUL: No, it's We enjoy it, you know This, even
[06:32.23]RINGO: Even
[06:32.55]PAUL: Even this!
[06:34.86]Q: Do you feel responsible for making Britannia rule the airwaves
[06:37.82]JOHN: No
[06:39.03]PAUL: Ooh Ohh You worked that one out, didn't you
[06:45.23]Q: What is the best city you've ever played
[06:47.49]JOHN: I don't know
[06:48.66]RINGO: It's impossible, you know
[06:50.15]PAUL: Actually, one of the wildest audiences was, I think, Glasgow
[06:53.47]RINGO: Glasgow, Scotland
[06:54.99]RED:Here our reporter asked Paul if he brought along his dad
[06:58.10]PAUL: No Well, actually my dad's having a better time than I am He's got a
[07:04.07]he's got a house, a race horse He's just been for a week in Athens I wish I was him
[07:10.01]Q: How much time-off do you get in a year
[07:12.36]PAUL: About
[07:13.04]JOHN: We get good enough holidays, when we get 'em
[07:14.60]RINGO: Couple of months
[07:15.04]PAUL: Three or four weeks a year
[07:16.57]Q: How can you enjoy them, when I hear that in Hawaii you had to leave after just a few days
[07:18.58]JOHN: We weren't going to Hawaii, we were just passing through, you see
[07:20.84]GEORGE: We only stayed there the night on the way to Tahiti
[07:23.25]Q: Did you like it
[07:24.11]PAUL: Yeah
[07:24.88]JOHN: What Hawaii
[07:25.44]Q: Yeah, Hawaii
[07:25.80]JOHN: It was alright
[07:26.46]GEORGE: But only staying there the night on the way to Tahiti
[07:30.24]PAUL: Say it again, George
[07:31.90]GEORGE: He's got it
[07:33.10]Q: Have any of the political parties in England tried to carry favor with you and use you for their own benefit
[07:39.02]JOHN: No They all give us a mention just in case
[07:42.54]GEORGE: We had our pictures taken with Bessie Braddock and Harold Wilson, though
[07:46.80]PAUL: Yeah, but we don't know enough about politics to support one or the other, you know
[07:50.93]Q: You're all Torries, is that correct
[07:52.44]RINGO: We're nothing
[07:53.33]PAUL: Not really
[07:54.28]JOHN: Whoever gives us the most money, you know We vote for them
[07:58.37]RED:One of the most fascinating questions in this conference was the number of people employed by Beatles at that time
[08:05.42]Q: How many people do the Beatles employ, as a group The organization, The Beatles, Limited
[08:10.56]PAUL: Oh, us I don't know, you see, because much of the people that work with us
[08:13.65]GEORGE: I think 'we' only employ about two people
[08:15.58]PAUL: Most of the people that work with us work for 'NEMS,' which is our manager's company
[08:20.84]GEORGE: We employ two, and that's it
[08:22.96]PAUL: And they have artists like Gerry and the Pacemakers, Cilla Black, and alot of other people, you know Billy J Kramer
[08:26.65]JOHN: We have two permanently with us One press agent and one road manager Oh no, and a heavy
[08:31.23]PAUL: There he is This one-- with the mic
[08:34.68]Q: You do carry a bodyguard, then
[08:37.28]BEATLES: No
[08:38.72]JOHN: You don't need to with all those police!
[08:41.40]Q: Do you find that you're losing your popularity in England
[08:43.95]JOHN: No, not according to record sales
[08:46.91]Q: Then it's all just rumors
[08:48.53]PAUL: Yeah Actually, we heard before
[08:49.96]JOHN: They've been knocking us off since the third record
[08:51.52]PAUL: before we went to Liverpool last time
[08:54.41]for the Northern Premiere of the film, you know
[08:56.84]we'd been down in London alot
[08:58.87]because we'd been doing the film and TV and things
[09:00.49]and everybody was saying
[09:02.26]I've just been up to Liverpool
[09:03.52]and they hate you up there
[09:04.58]and it's terrible Nobody likes you anymore
[09:06.49]And we believed 'em, you know, 'cuz we read the paper, same as anyone else
[09:10.13]And we went up there
[09:11.11]and it was the most ridiculous reception we've had anywhere, you know
[09:13.96]So I give-in believing these rumors
[09:16.56]Q: Can I ask you if you've ever had a press reception in a more uncomfortable room
[09:19.77]JOHN: Yeah
[09:21.11]PAUL: I don't know
[09:21.99]Q: Where
[09:22.61]JOHN: I don't know
[09:23.18]Q: How do you feel being compared to Dave Clark Five
[09:28.15]JOHN: We're compared to everybody
[09:31.67]PAUL: Don't mind
[09:32.55]Q: How about your horse, how's it doing your race horse
[09:34.86]PAUL: Great! The first time out It's not mine, it's my dad's
[09:39.12]you know It's nothing to do with me First time out it came second, and the last time out it won
[09:43.42]JOHN: And then it died
[09:47.94]Q: Does this mob of police protection come out of your take
[09:50.61]or is the management here to accept responsibility for paying them
[09:53.36]JOHN: I don't know who pays 'em, but we don't
[09:55.34]PAUL: The last place we played at, it was the management of the place I don't know, it may be the same now
[09:59.30]GEORGE: But we just tour, we don't do all that
[10:01.95]Q: You'd miss them, though
[10:03.02]PAUL: Oh, yeah
[10:03.68]RINGO: Really
[10:04.32]JOHN: Yeah Well I mean, if we can't get in a place, we can't go, can we It's the promoter's money
[10:07.76]Q: How long will you be on the road before you go home
[10:09.23]PAUL: About four more weeks
[10:12.11]Q: What is the best group of teenagers, well-behaved, you've ever had
[10:17.13]PAUL: Um I don't know They're about the same all over the world Just got different accents
[10:25.11]Q: What city have you had your worst time in
[10:26.53]PAUL: City,Don't know, because
[10:28.88]you know things that some people think are the worst time, we think are the best
[10:33.78]you know But I can't remember a worst time
[10:36.63]Q: You've been roughed-up and jostled in various places you've been
[10:40.16]Can you think of one in particular that was worse than the others
[10:41.47]PAUL: No, you know Not
[10:42.63]JOHN: We've not been really roughed at all, you know
[10:43.93]Q: Where do you think the biggest reception crowd has been
[10:46.57]JOHN: Biggest crowd was Liverpool
[10:47.68]RINGO: Liverpool
[10:49.23]Q: How many
[10:49.82]JOHN: I don't know
[10:51.00]GEORGE: A lot
[10:52.05]JOHN: Just more than the other
[10:53.20]Q: Sydney was the biggest, wasn't it
[10:54.71]PAUL: Sydney
[10:55.13]JOHN: Ah, well
[10:55.78]PAUL: I don't know, but there was alot in Liverpool
[10:58.17]Q: How long did it take you to make your movie
[11:00.86]JOHN: Eight weeks, was it
[11:01.79]PAUL: Yes
[11:02.90]JOHN: They were trying to make it in three, but we argued
[11:04.74]Q: Do you like the movie
[11:05.25]PAUL: It's good, you know
[11:05.98]Q: How's it doing where it's showing, do you know
[11:09.31]RINGO: It's doing well
[11:09.74]JOHN: It's breaking records, I've heard I don't want to brag
[11:15.41]Q: Is it true that some of your birthday mail went in the fire and you didn't even see it
[11:18.75]GEORGE: No, untrue Well, I think so Actually, it was, umm
[11:24.91]PAUL: I don't think that was the rumor anyway, you know
[11:27.06]JOHN: The rumor was it went in the bin By the time it gets over here, it's on fire
[11:30.15]PAUL: Some people found some mails and I think it was about two letters out of thousands
[11:37.17]you know which had been unopened They'd been sent to the fan clubs
[11:41.42]and the fan club was supposed to open and read 'em
[11:43.16]and then throw 'em And there were about two that they'd forgotten to open
[11:45.97]so this was a great big scandal, you know It was just a slip-up
[11:51.39]Q:Thank you very much!
[11:52.30]JOHN:Than you!
[11:54.48]RED:We joined the Beatles two years later in 1966 in Seattle,Washington,the date is August 27th
[12:01.24]Another city,and another press conference,it’s 8 pm
[12:04.85]Fifteen thousand fans are vailing for the night performance in the Seattle Colosseum
[12:09.59]Meanwhile the presses again talking with Beatles
[12:12.37]Leading up to B-Day,rumours had abounded that Paul Cartney is going to marry long-time girlfriend Jane Asher,
[12:18.69]Sister of Peter Asher of Peter&Gordon fame,but it turned out to be just that rumours
[12:24.61]MC: Can we have the first question, please
[12:27.24]Q: John, could you please tell me something about your new movie, 'How I Won The War
[12:33.25]JOHN: Oh, I don't know anything about it except for I'm in it
[12:36.79]and it's about the last world war
[12:37.58]Q: I'd like to address a question to Paul McCartney
[12:39.95]Would you confirm or deny the report of your marriage to Jane Asher in Seattle this evening
[12:45.83]PAUL: It's tonight, yeah
[12:46.79]Q: What time and where
[12:47.71]PAUL: Tonight-- I can't tell you that, now can I
[12:51.43]PAUL: I couldn't tell ya it's a secret
[12:53.78]GEORGE: OK, it's a secret We don't want all the people there, do we
[12:54.97]Q: You are confirming the report
[12:56.89]PAUL: No, not really It was it's a joke
[12:59.11]Who started this Anyone know Does anyone know I just got in today and found out I was getting married tonight
[13:05.43]No, she is not coming in tonight as far as I know
[13:09.18]GEORGE: And if she does, we are going out tonight anyway cause we'll miss her
[13:14.70]Q: I'd like to direct this to any of the Beatles Do you believe that you represent a different type of morality
[13:20.19]or a new type of morality-- than, say, the 'Rolling Stones' or the protest groups
[13:24.31]JOHN: Are they a protest group Since when
[13:26.99]Q: No 'OR a protest group
[13:28.81]PAUL: OR a protest group! No We don't represent anything like that
[13:35.91]It's the 'Cyrkle' that do that
[13:40.29]_'Turn Down Day' I think you've heard that one, haven't you! Folk song!
[13:44.03]Q: I'd like to ask John Lennon a question
[13:45.57]I hope I get a chance to ask him a second one This is sort of double-barreled I'd like to know your motivation in this Money I'd like to think it's enjoyment
[13:54.99]and I'd like to think you're having as much fun as you seem to be when you're doing it
[13:59.05]JOHN: Well, when I look as though I'm having fun
[14:01.43]I am, you know When I'm not-- I'm not, usually So it varies
[14:05.96]Q: Do I get another chance One more chance I have this little prediction that in 25 years you're going to be a great writer
[14:10.52]I'd like to talk to you about it sometime
[14:12.30]_Well, I mean, we're between 25 years then
[14:15.45]Q: I'll make you a date
[14:16.88]JOHN: OK
[14:18.25]GEORGE: See ya, Penny Lane
[14:19.60]Q: I'd like to address this question to anybody in the group
[14:21.82]What about the next movie
[14:23.06]heard alot of stories
[14:24.26]nothing's confirmed Has there been anything decided
[14:26.60]PAUL: Nothing
[14:27.84]GEORGE: Somebody gave us a good idea
[14:29.61]so we told him to go and write it into a script
[14:32.34]So we won't really be able to tell if we're gonna make the film until we've read the script
[14:36.61]And as he hasn't finished the script, we haven't read the script
[14:39.29]so we won't know yet until about Christmas
[14:42.04]maybe But if it is a good one and we like it
[14:44.94]we'll probably start it 'round about January, February, or March or December
[14:49.40]Q: I have three questions, if I can For one
[14:53.60]Do you think the audience that your music attracts has changed from say the thirteen and fourteen year old girls to more of the college age
[15:03.35]and that if so, do you like it better that way
[15:07.26]PAUL: Uhh, I think it's probably got a bit older I don't know how old And it's nice
[15:12.60]and that if so, do you like it better that way
[15:12.66]Q: Did you intend it that way
[15:14.44]PAUL: No We don't intend anything, you know That's the trouble
[15:18.70]JOHN: It all happens
[15:18.93]_Also, Paul-- Since your rumors were denied
[15:24.20]then what are you doing after the show
[15:27.75]PAUL: I don't know, marrying you, probably!
[15:31.09]Q: How are the attendance on this tour compared to past American tours
[15:35.83]PAUL: It's been apparently been more at the shows than there were last time
[15:40.43]Q: Do you think that the so-called adverse publicity hurt or helped in this
[15:44.23]PAUL: No idea, you know We haven't been able to tell really because we You know the press keeps saying
[15:49.41]'I see it's hurt you' And our managers keep saying it hasn't So, you know, who do we believe
[15:54.95]Q: John and Paul, I'd like to know if all the songs that are said to be written by Lennon and McCartney are always written by both of you
[16:01.70]or do you ever do one all by yourself
[16:04.04]JOHN:Don't they buy 'Datebook
[16:05.29]PAUL: No, we do them seperately and together
[16:08.43]Q: Your music used to be mostly composed of guitar backgrounds
[16:12.22]and recently you've come around to strings and harpsichords and a lot of weird things like that Is there any purpose in this evolution
[16:18.87]PAUL: Yeah
[16:19.07]JOHN: No
[16:20.00]GEORGE: Just to use something else besides guitars
[16:23.55]PAUL: And because those things aren't it's not necessarily sort of 'coming around to them' you know,
[16:28.08]like we're giving-in to 'em It's finding them again
[16:31.75]RED:As the director of radio station CFUN in Vancouver
[16:34.84]I had decide let where my DJs to cover this 1966 press conference in label Seattle
[16:40.81]I selected a giant of a man called John Turner
[16:43.39]Who stood 6 foot
[16:45.20]And then some in this stocking feet
[16:47.03]And during those top forty CFUN days
[16:48.95]We referred to him on the era of Jolly John
[16:51.68]And for this particular press conference
[16:53.32]He dressed his tall frame in a Jolly green giant costume
[16:56.86]Complete with Robin Hood booties
[16:58.94]How imagine you will
[17:00.31]The Beatles reaction to this strange,blooming figure
[17:03.64]Q:I don't know if there is a Jolly Green Giant in England, fellows
[17:06.97]but I come with good wishes from Vancouver in Canada
[17:10.12]You played there a short while ago
[17:12.61]And we were wondering whether you are coming back to Vancouver
[17:19.56]PAUL: Maybe Brian decides where we go So, maybe
[17:23.07]Q:All people from Vancouver are wishing John a happy forth anniversary
[17:28.13]A few days ago,John
[17:29.51]JOHN: Thank you Well, you thank them Jolly Green Giant
[17:32.49]Q: and a question George, where do you get your sitars
[17:39.27]GEORGE: Where do I get them Or where do people generally get them
[17:41.55]Q: Where can people generally get a sitar
[17:43.35]GEORGE: India
[17:44.46]Q:In India
[17:46.19]Q:I hear that you are world’s greatest sitar player
[18:09.19]Q: Paul, before, you said that there were some songs that you 'have to' write
[18:12.50]Could you explain what you mean by 'have to' write
[18:14.37]PAUL: Hmmm No see, I just said that in passing I just meant that there was an LP due And when an LP is due we write songs
[18:24.77]you know We do it like that more than write all the time,We don't write all the time
[18:28.81]We write more 'to order' You know
[18:32.09]if we've got fourteen tracks to fill
[18:34.95]then we've got fourteen songs to write That's what I mean
[18:37.65]Seattle,Washington,1966
[18:40.40]That night,the Beatles went out to the with fifteen thousand frantic fans
[18:46.10]These were the really innocent years for the Beatles
[18:48.03]They were just about to lead into a new face of their careers
[18:51.23]The late 60s were used as the revolution in term
[18:53.91]And the Beatles were certainly in the guard of the new wave
[18:56.83]Some would say that the new demensions that they’ve added to the popular music
[18:59.87]Were the most important contributions to musical history
[19:02.95]But apart from those earlier years
[19:05.30]The fun and the energy
[19:07.17]Those were the moments
[19:07.78]That would be remembered for the generation that lived through those times
[19:12.02]On this album package
[19:13.10]We tried to present the best of the Beatles
[19:17.62]The stories of the Beatles is best told by hearing them in action
[19:21.55]The Marks Bothers were unique
[19:23.73]And so were the Beatles
[19:26.13]They give you the frantic feeling and friendly of a Beatles concert
[19:29.42]During those healthy days of the mid-sixties
[19:31.75]We’d like you to hear the Beatles on stage
[19:34.19]In front of over twenty-thousand fans
[19:36.47]Now twice during the concert
[19:38.08]The quartet of mob-tops were interrupted
[19:40.05]once by myself
[19:41.02]And minutes later by thier manager Brian Abeles
[19:43.65]As the screaming fans pressed against the front of the open-air stage of Empire Stadium
[19:48.65]Police were frightened that the fans would get crashed
[19:51.23]As it happened in so many soccer matches in England
[19:54.18]And else where in Europe
[19:55.75]You’ll mind what the audience feel of the Beatles in concert
[20:04.46]MC:Crowd can you be quiet just for a minute please
[20:06.39]I would like to say right now that you’ve been a small crowd here tonight so lets keep up the good work
[20:11.37]And it’s going to be a great deal of pleasure having the CNN and the CFUN to present
[20:15.40]The Beatles!
[20:57.64]Thank you
[20:58.30]Thank you very much everybody
[21:02.97]Thanks
[21:03.94]And good evening
[21:06.21]How are you
[21:07.18]Okay
[21:08.69]Alright
[21:11.84]We’d like to come around
[21:13.22]To the song
[21:15.29]Which was on the first album that we’ve made
[21:21.73]Hope you like the song
[21:23.49]It’s called Oh!My loving
[21:31.68]Thank you folks
[21:33.01]The next song we’re gonna do
[21:34.38]It’s another whole LP
[21:40.09]And it’s called She loves you
[21:46.59]Lets cut it down
[21:49.14]Now,it’s a quite a new song
[21:50.14]I think it’s on the new album over here
[21:51.90]It’s called The things you said today
[21:56.23]Thank you very much everybody
[21:56.87]Thank you
[21:58.54]We’d like to
[21:59.72]I hate to
[22:01.17]Like we’re gotta back some of the people up
[22:03.42]There have been two kids crashed already
[22:05.09]Or we have to cancel the show
[22:09.09]All that,down
[22:12.05]Everybody down
[22:13.70]Or no show
[22:18.81]The Beatles wanna perform
[22:20.95]But they can’t do it if you don’t sit down
[22:23.71]Let’s sit down,they wanna perform,com’on
[22:36.22]We’d like to ask you dude help us
[22:38.44]With our next song
[22:40.24]Hello
[22:41.60]We’d like to ask you
[22:42.91]If you’ll join in
[22:43.94]Will you with us next one
[22:47.32]Okay alright listen
[22:49.92]Stand easy
[22:50.49]All you have to do is clap your hands
[22:52.64]Or stamp you feet
[22:53.87]Something like that
[22:55.65]Do everything you like
[22:57.68]The song’s called Can’t buy me,love
[23:04.16]Thank you folks
[23:05.64]Before we do the next song
[23:07.57]I’m gonna hang down a minute while John changes his guitar
[23:17.32]And the song we’re going to do next
[23:20.07]Is a slow song from the film we’ve just made,All days nights
[23:26.50]And it’s from the new album we’ve just made
[23:29.02]And it’s called,If I fell
[23:39.14]Thank you very much folks indeed,thank you
[23:41.81]We’d like now
[23:43.74]To do something,do something yeah
[23:45.56]We’d like to do something that we don’t often got
[23:48.56]Much of a chance to do
[23:51.20]We’d like to feature some of you
[23:54.45]Who doesn’t sing very often but is gonna sing now
[23:59.15]Yes,sing a song called By swingo
[24:10.80]Next song we’re going to do is from our latest record
[24:12.99]Is the title song for the film called
[24:14.59]Half day night叫Half day night
[24:21.34]Join me later ladies and gentleman
[24:23.51]The Beatles had come a long way
[24:25.23]With us
[24:26.05]with me
[24:27.41]To do this show
[24:28.37]And will have to cut this show unless you move back
[24:30.88]I’m very worry about this situation
[24:33.44]Back
[24:38.42]Back back
[24:52.52]Thank you very much everybody
[24:53.94]We’d like to thank you now
[24:55.58]For coming along tonight and being a marvelous audience
[24:59.37]Thank you